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Different color modes:
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- RGB mode (millions of colors)
- CMYK mode (four-printed colors)
- Index mode (256 colors)
- Grayscale mode (256 grays)
- Bitmap mode (2 colors)
The color mode or image mode determines how colors combine based on the number of channels in a color model. Different color modes result in different levels of color detail and file size. For instance, use CMYK color mode for images in a full-color print brochure, and use RGB color mode for images in web or e-mail to reduce file size while maintaining color integrity.
PhotoshopRGB Color mode uses the RGB model, assigning an intensity valueto each pixel. In 8‑bits-per-channel images, the intensity valuesrange from 0 (black) to 255 (white) for each of the RGB (red, green,blue) components in a color image. For example, a bright red colorhas an R value of 246, a G value of 20, and a B value of 50. Whenthe values of all three components are equal, the result is a shadeof neutral gray. When the values of all components are 255, theresult is pure white; when the values are 0, pure black.
RGB images use three colors, or channels, to reproducecolors on screen. In 8‑bits-per-channel images, the three channelstranslate to 24 (8 bits x 3 channels) bits of color informationper pixel. With 24‑bit images, the three channels can reproduceup to 16.7 million colors per pixel. With 48‑bit (16‑bits-per-channel) and96‑bit (32‑bits-per-channel) images, even more colors can be reproduced perpixel. In addition to being the default mode for new Photoshop images,the RGB model is used by computer monitors to display colors. Thismeans that when working in color modes other than RGB, such as CMYK,Photoshop converts the CMYK image to RGB for display on screen.
Although RGB is a standard color model, the exact range of colorsrepresented can vary, depending on the application or display device.The RGB Color mode in Photoshop varies according to the workingspace setting that you specify in the Color Settings dialogbox.
In the CMYK mode, each pixel is assigned a percentagevalue for each of the process inks. The lightest (highlight) colorsare assigned small percentages of process ink colors; the darker(shadow) colors higher percentages. For example, a bright red mightcontain 2% cyan, 93% magenta, 90% yellow, and 0% black. In CMYKimages, pure white is generated when all four components have valuesof 0%.
Use the CMYK mode when preparing an image to be printed usingprocess colors. Converting an RGB image into CMYK creates a colorseparation. If you start with an RGB image, it’s best toedit first in RGB and then convert to CMYK at the end of your editingprocess. In RGB mode, you can use the Proof Setup commandsto simulate the effects of a CMYK conversion without changing the actualimage data. You can also use CMYK mode to work directly with CMYK imagesscanned or imported from high-end systems.
AlthoughCMYK is a standard color model, the exact range of colors represented canvary, depending on the press and printing conditions. The CMYK Colormode in Photoshop varies according to the working space settingthat you specify in the Color Settings dialogbox.
The CIE L*a*b* color model (Lab) is basedon the human perception of color. The numeric values in Lab describeall the colors that a person with normal vision sees. Because Labdescribes how a color looks rather than how much of a particularcolorant is needed for a device (such as a monitor, desktop printer,or digital camera) to produce colors, Lab is considered to be a device-independent colormodel. Color management systems use Lab as a color reference to predictablytransform a color from one color space to another color space.
The Lab Color mode has a lightnesscomponent (L) that can range from 0 to 100. In the Adobe Color Pickerand Color panel, the a component (green-red axis) and the b component(blue-yellow axis) can range from +127 to –128.
Lab images can be saved in Photoshop, Photoshop EPS, Large DocumentFormat (PSB), Photoshop PDF, Photoshop Raw, TIFF, Photoshop DCS1.0, or Photoshop DCS 2.0 formats. You can save 48‑bit (16‑bits-per-channel)Lab images in Photoshop, Large Document Format (PSB), PhotoshopPDF, Photoshop Raw, or TIFF formats. Chronosync 4 2 2 ubk download free.
Note:
The DCS 1.0 and DCS 2.0 formats convert thefile to CMYK when opened.
Grayscale mode uses different shades of gray in an image. In 8‑bit images, there can be up to 256 shades of gray. Every pixel of a grayscale image has a brightness value ranging from 0 (black) to 255 (white). In 16-and 32‑bit images, the number of shades in an image is much greater than in 8‑bit images.
Grayscale values can also be measured as percentages of black ink coverage (0% is equal to white, 100% to black).
Grayscale mode uses the range defined by the working space setting that you specify in the Color Settings dialog box.
Bitmap mode uses one of two color values(black or white) to represent the pixels in an image. Images inBitmap mode are called bitmapped 1‑bit images because they havea bit depth of 1.
Duotone mode creates monotone, duotone (two-color),tritone (three-color), and quadtone (four-color) grayscale imagesusing one to four custom inks.
Indexed Color mode produces 8‑bit image files with upto 256 colors. When converting to indexed color, Photoshop buildsa color lookup table (CLUT), which stores and indexesthe colors in the image. If a color in the original image does notappear in the table, the program chooses the closest one or uses dithering to simulatethe color using available colors.
Although its palette of colors is limited, indexed color canreduce file size yet maintain the visual quality needed for multimediapresentations, web pages, and the like. Limited editing is availablein this mode. For extensive editing, you should convert temporarilyto RGB mode. Indexed color files can be saved in Photoshop, BMP,DICOM (Digital Imaging and Communications in Medicine), GIF, PhotoshopEPS, Large Document Format (PSB), PCX, Photoshop PDF, Photoshop Raw,Photoshop 2.0, PICT, PNG, Targa®, or TIFF formats.
Multichannel mode images contain 256levels of gray in each channel and are useful for specialized printing.Multichannel mode images can be saved in Photoshop, Large DocumentFormat (PSB), Photoshop 2.0, Photoshop Raw, or Photoshop DCS 2.0formats.
These guidelines apply when converting images to Multichannelmode:
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- Layers are unsupported and therefore flattened.
- Color channels in the original image become spot color channelsin the converted image.
- Convertinga CMYK image to Multichannel mode creates cyan, magenta, yellow,and black spot channels.
- Converting an RGB image to Multichannel mode creates cyan,magenta, and yellow spot channels.
- Deleting a channel from an RGB, CMYK, or Lab image automaticallyconverts the image to Multichannel mode, flattening layers.
- To export a multichannel image, save it in Photoshop DCS2.0 format.
Note:
Indexed Color and 32-bit images cannot be converted to Multichannelmode.